PROXY – The Newton Brothers


Original Review by Alan RogersProxy

The Newton Brothers’ score for Zack Parker’s psychological thriller Proxy is being compared with the classic scores of Pino Donaggio for Brian De Palma films (e.g., Carrie, Dressed To Kill, Passion) and, perhaps more worryingly (in terms of expectations for the score), with Bernard Herrmann’s scores for Alfred Hitchcock; particularly Psycho. It’s not particularly surprising that Andrew Grush and Taylor Stewart’s (aka The Newton Brothers) score does not live up to hype. However, I do think that the strings-heavy music for Proxy is an interesting and worthwhile score that is a solid addition to the psychological thriller/horror film music genre by shying away from soundscape ambience (that are frequently pretty unlistenable away from the film) and instead taking a limited sound palette and using it in interesting ways that are worthy of isolated and repeated listens.

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