2019 Reel Music Awards – 2019 scores for consideration

2019 Reel Music Awards

“Better late than never!” some will say. This year’s awards process for Reel Music is a lot later than usual but, we are here now and the announcement of the 2019 Reel Music Awards is on the horizon. As with last year, as part of the lead up to announcing my nominations (and eventual winners) of the stand-out scores of 2019, I thought that I would take some time and list all of the titles of the movies, TV shows, games, etc released in 2018 whose score I have listened to and assessed.

The main reason for listing all these scores is so that, if anyone is curious, you can see the range of titles assessed. Also, my lists may highlight some titles that you may have previously thought were unavailable to listen to. Note: this is a long list and there are bound to be mistakes no matter how often I check and check again – I apologise for any errors in advance.

Titles released in 2019 for ‘archival titles’ (i.e., music albums available in 2019 to movies, TV shows, etc. originally released in 2018 or previously) are not listed here.

The 2019 Reel Music Awards nomination lists will be posted soon. [Read more…]

IFMCA Award Winners 2019 announced

The International Film Music Critics Association (IFMCA) have announced their awards for outstanding contributions to film, television and other media scoring for 2019. Below is the announcement in full and follow the link for the announcement in full (which includes a winners presentation video.


2019 IFMCA Award nominations announced

Today saw the announcement of the International Film Music Critics Association (IFMCA) 2019 Award nominations. Below is the announcement reproduced in full. Winners will be announced by the IFMCA on February 20, 2020.

FEBRUARY 6, 2020. The International Film Music Critics Association (IFMCA) announces its list of nominees for excellence in musical scoring in 2019, for the 16th annual IFMCA Awards. For the first time in IFMCA history a female composer leads the field, with Icelandic composer and cellist Hildur Guðnadóttir receiving five separate nominations for her work on the critically acclaimed comic-book drama “Joker,” and for the devastating HBO television series “Chernobyl”. These are the first nominations for Guðnadóttir, who is nominated in the categories for Film Score of the Year, Composer of the Year, Drama Score, Television Score, and Film Music Composition of the Year. IFMCA member James Southall was particularly complimentary about “Joker,” describing it as having ‘complexity in its extraordinary emotional depth,’ and calling it a ‘primal’ score which ‘made him think’.

[Read more…]

A PLAGUE TALE: INNOCENCE – Olivier Deriviere

A Plague Tale: Innocence (regular release)

A Plague Tale: Innocence is a  2019 action-adventure stealth game set in 14th century France. The player takes on the role of Amicia, a teenage daughter of a nobleman who must look after her sick brother, Hugo, as they wander their Black Death-ravaged country in search of a cure for Hugo. Most of the game involves trying to avoid hostile encounters with Inquisition soldiers who are searching for Hugo, and hordes of hungry rats. The game has received mostly positive reviews for gameplay but there is general agreement that the game looks beautiful, particularly the forest landscapes. The music for A Plague Tale: Innocence is written by Olivier Deriviere and marks a reunion between the composer and French video game publisher, Focus Home Interactive (Deriviere composed the music for Focus Home’s The Council and Vampyr). [Read more…]

WITHIN THE ROCK – Rod Gammons & Tony Fennell

A low budget made-for-TV movie from 1996, Within The Rock follows a specialized team of miners who are assembled for a mission and sent into space to land on a moon/comet/asteroid that has been discovered to be heading on a collision course towards Earth. Their job is to divert the object out of harm’s way by planting and detonating explosives. However, they accidentally set free an alien creature that begins to pick off the group one-by-one. Now the team must fight to survive AND save the world. The score for this poorly received movie is written by composers Rod Gammons and Tony Fennell (the latter briefly fronted UK band Ultravox in the early nineties).

Within The Rock is almost exclusively made up of atmospheric music that has little in the way of cohesive dramatic content. There’s not much that’s memorable save for the nods to music from other movies. [Read more…]


House of the Gorgon follows a young woman who travels with her mother to marry her university sweetheart. En route they meet a mysterious priest who knows a dark secret: the house where they are all due to stay is also the home to two Gorgon sisters who seek eternal youth via the sacrifice of virgin blood. The movie is a nod to Hammer Film’s The Gorgon (director Joshua Kennedy’s favourite movie) and is filmed in the style of the classic films of the Hammer studio. The movie is notable for starring four notable Hammer film veterans: Christopher Neame, Veronica Carlson, Martine Beswicke and Caroline Munro (the latter two actors playing the Gorgon sisters). The movie is scored by Reber Clark whose other works include the music for the H.P. Lovecraft Historical Society’s Dark Adventure Radio Theatre.

[Read more…]

RÖKKUR – Einar Sv. Tryggvason

An atmospheric Icelandic thriller from 2017, Rökkur (Rift) has Gunnar approaching middle age and who has split from a relationship with the younger Einar. Sometime later Gunnar receives a worrying phone call from Einar. Concerned for Einar’s safety, Gunnar travels to his ex-partner’s isolated family cabin. As well as going back over old unresolved issues they begin to realise that someone else may be creeping about at night. The score is written by Icelandic composer Einar Sv. Tryggvason.

By all accounts Rökkur is a film that is dominated by grief and isolation. It is set against the icy and bleak – but beautiful – backdrop of dramatic Icelandic landscapes. The music certainly reflects this mood with most of the instrumentation never really sounding anything other than creepy and unsettling. [Read more…]